Overhead, Without Any Fuss, The Stars Were Going Out

by Station Dysthymia

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about

Armed with a new studio sound, Novosibirsk funeral doom band Station Dysthymia shares their thoughts on a technological singularity and moves the dramatic tone of the genre to the next level. Titled for a quote from “The Nine Billion Names of God” by Arthur C. Clark, the unpredictable album turns the essence of doom canons to the sci-fi field. In a recent interview, a frontman B. described the main idea in a question: “Doesn't any personal tragedy fade in front of the tragedy of self-destruction of humanity?”
That’s the end of the world as Station Dysthymia sees it — people stopped appreciating the fundamental studies of science. Apathy echoing all over the humanity is underscored with controlled feedback guitars, throat singing and the eternal battle between enlightened sound and weaponized tones. With the help of Greg Chandler of Esoteric who mastered the “Overhead, Without Any Fuss, the Stars Were Going Out” album and M.Hater and I.Stellarghost of Abstract Spirit as guest musicians, Station Dysthymia created a new type of story in doom metal, combining the genre traditions and the scientific theories.

Solitude Productions
CD version: solitudestore.com/en/product/station-dysthymia-2013-overhead-without-any-fuss-the-stars-were-going-out/
Label site: solitude-prod.com
Label Bandcamp: solitudeproductions.bandcamp.com

credits

released 01 July 2013

S. - guitars
A. - guitars
B. - vox, bass
O. - drums

featuring:

M. Hater and I. Stellarghost: screams from the void on "A Concrete Wall"
I. Stellarghost: synths on "Starlit: We Rest At Last".

Recorded: August 2012, Primordial Studio (Moscow).
Mixed/Mastered: September 2012, Priory Recording (Birmingham).

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about

Station Dysthymia город Новосибирск, Russian Federation

Out of Siberian urban cold, slush, dark nights, streetlights and late underground trains comes a funeral doom band inspired and fueled by the urban man’s dystopia and perpetual solitude. Station Dysthymia is currently embarked on the angst-ridden, alcohol-fueled solemn path of torturingly slow and painfully heavy music. ... more

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